Here's another in my semi-regular profiles of the scheduled guests for this year's Dick-Fest in Ft. Morgan, Colorado, June 13-16. In this post we'll meet, doctoral Dick-Head D.H. Wilson (the picture is Brett Weldele's rendering of DH as Gully Foyle from Bester’s The Stars My Destination -- not directly Dick-related, but we'll accept it).
TDH: What are you gonna talk about at the fest?
Hello! I’ll provide an overview of the book I’m currently working on, The Biographies of Philip K. Dick: Infinite Regressions, for Routledge’s Auto/Biography Studies series. Here’s a brief description that I included in my proposal to the publisher: Philip K. Dick was one of the twentieth century’s most prolific, forward-thinking authors and a luminary of intelligent, idea-driven science fiction. His singular oeuvre, esoteric mythos, and chronically autobiographical novels and stories have generated a surplus of biographies in an effort to uncover his “real” identity. Most attempts to biographically render PKD in the light of would-be “truth,” however, are undergirded by a speculative conundrum that his characters and their author cannot escape themselves. Infinite Regressions will unpack this overarching thesis while functioning as an engaged overview of the biographical literature on PKD. PKD scholarship is vast, but my monograph will be the first comprehensive study to account for and interpret this material as a collective literary venture. I appropriated my subtitle from PKD’s Exegesis, an 8,000-page journal inspired by a hallucinatory breakdown that he experienced in the 1970s. Written between 1974 and his death in 1982, the Exegesis is an epic attempt to understand an ostensible trickster god, and yet every gesture towards definitive knowledge results in “an infinite regression of theses and countertheses.” Biographers fall through a similar trap door when they try to “understand” PKD, but that isn’t to say that their biographies aren’t productive or meaningful. As literary artefacts, they are largely meritorious. Ultimately, then, PKD’s biographies call attention to the inherent instability and variability of biographical writing, which has always evaded a grand definition.
TDH: What’s your connection to Dickdom?
Most recently, the Dickheads Podcast. In 2023, I became a co-host with David Agranoff and Langhorne J. Tweed, who started the podcast with Anthony Trevino in 2017. Such great fellas. I’ve been reading, studying, and writing about PKD for years, though, beginning in graduate school in the 1990s at the University of Massachusetts, where I was working on my M.A. degree in English. In an independent study with SF scholar Robert Crossley, I read The Man in the High Castle and “Faith of Our Fathers.” Thereafter I devoured his entire canon, as we PKD fanatics tend to do, and I remember trying (and failing) to emulate him again and again when I first started writing my own fiction.
TDH: Tell us about your new publishing endeavor.
Research and note-taking for Infinite Regressions is occupying most of my time right now, although I have a monograph on Stanley Kubrick’s futurist cinema coming out in November from Stalking Horse Press called Strangelove Country: Science Fiction, Filmosophy, and the Kubrickian Consciousness. Very excited about that one. As editor-in-chief of Anti-Oedipus Press, I should also mention that I’ll be spearheading a new PKD book series. Here’s the formal description on AOP’s website: EXEGETICS: PKD STUDIES is devoted to original, high-quality scholarship on and about Philip K. Dick, one of the science fiction genre’s most renowned innovators and a singular voice in twentieth-century literature. Books in the series include critical and/or creative explorations of Phildickian fiction, nonfiction, biography, cinema, and multimedia. Scholarly yet defiant of academic stodge, EXEGETICS aspires for the definitively New in the world(s) of PKD.
More details soon!
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