Showing posts with label Blade Runner. Show all posts
Showing posts with label Blade Runner. Show all posts

Tuesday, January 9, 2024

Blade Runner and North By Northwest


As part of a New Year's resolution toward self improvement, I am watching classic movies over my break. I just finished the 1959 classic North By Northwest. It's a really Dickian movie, where you don't know what's real, more specifically, you can't be sure if the protagonist, Cary Grant's Roger Thornhill is the center of a vast conspiracy, the victim of mistaken identity, or crazy. It's paranoia and narcissism in equal measure, like Time Out of Joint

The movie's send up of the advertising industry, replete with three-martini lunches and overburdened secretaries feels similar to Barney Mayerson and Leo Bulero in The Three Stigmata of Palmer Eldritch

Lastly, there are several strong nods to North By Northwest at the end of Blade Runner. During the extended climatic chase scene across the faces of Mt Rushmore, Vandamm says, “That wasn't very sporting, using real bullets.” And of course Baty says to Deckard, “It's not very sporting to fire on an unarmed opponent.” 

What follows is a dramatic rescue where Thornhill saves femme fatale turned damsel in distress Eva Marie Saint’s Eve Kendall by hauling her up by her wrist as she dangles over the precipice beneath Teddy Roosevelt’s mustache. 



And that, folks, is the value of a Humanities education. 


Friday, January 18, 2013

Real Picture and Fictional Update


Dear Readers, that's not a still from Blade Runner you're looking at. That's the smog in Beijing, and some crazy building, and, like, a video billboard. Wow.

I can explain my recent lack of posting by pointing out two new fiction pieces I've had published. My short story "Upon A Sea of Searching" is over at Farther Stars Than These. It's an existential robot analogy. or something. My seven-year-old daughter really likes that one.

But I prefer my story "Touching" which is up over at 365 Tomorrows. Now that I think about it, it's also an existential robot story. But it's a little funnier and, for some reason, I think it's just a little bit Dickian.


Friday, June 29, 2012

Blade Runner in Time, Clarion Write-A-Thon



Did you know it's been 30 years since Blade Runner first flopped theatrically, losing big on its opening weekend to E.T.? Well it has, and Time Magazine reminds us of all the obstacles this movie had to overcome before influencing our culture so profoundly. Read the article here.

You may have noticed posting's been a little light here. True enough, and it will continue. Truthfully, I am currently much more interested in writing my own fiction (and, of course, making the PKD Fest happen). So, you may find me, these next couple weeks, participating in the Clarion-Write-A-Thon. If you don't know about Clarion, read here. Needless to say, it's a fantastic program. You can even donate to them, by sponsoring me and my quest to write three short stories by mid-August. I've been placed in A Team Darkly - which seems appropriate, and my team leader immediately wrote me to say, "You're the total Dick-head guy?!" To which I had to respond, 'yep, that's me!"

Sunday, June 10, 2012

Wow, That's Stupid!

A short article in The LA Times advises readers on how to tackle Dick's prolific output. They share two suggestions, the first, not terminally stupid:

Where to start: "The Man in the High Castle" (1962) is an alternative history in which the Axis powers have won World War II and includes a book, banned in America, that posits an alternative history in which Hitler lost. The novel won a Hugo Award and, like much of Dick's work, plays with perception and competing realities.
Where to start, alternative version: "Ubik" (1969) is a mystery wrapped in a horror story told by a (probably) dead man. It has psychic intrigue, government interference, half-alive cryonically frozen characters and a crumbling reality. See also: competing realities, untrustworthy perception.

But then quickly move deep into the stupid with this recommendation:

What to skip: "Do Androids Dream of Electric Sheep?" (1968). Although it served as the inspiration for the film "Blade Runner," the novel is not the same, nor nearly as good.

Told ya...Let 'em know in the comments...

Friday, May 18, 2012

Blade Runner Sequel to Have Chick Blade Runner

New details of the Ridley Scott-helmed sequel to Blade Runner are emerging every day. Today we're learning that the principals have been meeting and have decided to make the protagonist in the next film a woman. This is sure to be a boon to the android/gender studies folks and I'm sure will result (if the sequel does get made) in tons of new essays. Remember, "You better get it up, or I'm gonna have to kill ya!"



Read about it here

So what do you think? Also, what happened the Man in the High Castle BBC miniseries?

Thursday, May 17, 2012

Hampton Fancher to Pen Blade Runner Sequel Script - FTW!


Rumors circulated amongst the intertoobz today that Blade Runner screenwriter Hampton Fancher is in talks to write a Blade Runner sequel to be directed by Ridley Scott. I know, my knees just buckled a little bit, too. Don't get your heart set on this - you know Hollywood.

Here's the quote: "The three-time Oscar-nominated Scott and his “Blade Runner” collaborator Fancher originally conceived of their 1982 classic as the first in a series of films incorporating the themes and characters featured in Philip K. Dick‘s groundbreaking novel “Do Androids Dream of Electric Sheep?“, from which “Blade Runner” was adapted. Circumstances, however, took Scott into other directions and the project never advanced."

Put that in your Voight Kampf and test it!

Sunday, March 18, 2012

Festival News


Lots of cool stuff happening with the PKD Festival to be held in SF this September. First, we've updated the website, so now you can head over there and sign up to be on the mailing list, that way you'll be in the know for the latest developments.

Next we've had two exciting confirmations:

Paul M. Sammons, author of Future Noir: The Making of Blade Runner will give a talk on everybody's favorite replicant flick. Mr Sammons interviewed PKD a few times and is in a unique position to talk about this stuff.

Also, Rich Doyle, annotator and author of the Afterword in the Exegesis will be be presenting. Additionally, Rich will be rounding out our Exegesis panel discussion with Pam Jackson, Jonathan Lethem, Erik Davis, and me.

I'm on spring break this week so I'll have some time to work on the lodging arrangements and a Kickstarter project, so stay tuned.

Friday, August 19, 2011

Ridley Scott to Re-Visit Blade Runner

Pictured above: biting visual mockery from io9 commenter.

Just got back from vacation, this was on io9.com. If you haven't read it, I guess you have a life or something, but go read it now, we'll wait...

Can you believe that? Pointing out that Hollywood isn't doing anything original is only slightly less original than all the remakes, but, c'mon. Really?! I vote for a sequel where Deckard is in an old folks home being cared for androids, like an old Daryl Hannah model?! And he's all weirded out because he has PTSD from fighting them, but humans and andys have made peace.... OR HAVE THEY?! And also Clint Eastwood, old android, Oscar ROLE! Don't talk about four-year lifespans, we can write around that. They see an egg in a pool and feel young again, like Cocoon! Note to Ridley Scott: I'm available.

Radio Free, on the other hand is kicking some serious ass. I'm off on a gnostic journey to the Reno screening this Saturday night. If you're at the Worldcon or the Hugos or whatever hit me up. I got bluetooth in my Yoda ears!

Saturday, May 28, 2011

A Polaroid is Worth 276 Words


Sean Young apparently took a bunch of Polaroids during the shooting of Blade Runner and they've made their way onto the her site. I can't stop looking at them. Especially these:


It's cliche to talk about how primitive cultures often believe being photographed steals one's soul. But that's obviously true sometimes too, and it demonstrates how simple the underlying assumptions are. There's something about these pics. The Dickian angle is to think about how, for us, Blade Runner is a seamless reality that we enter and exit as we please; its borders are solid, and reside on your remote control. But these images reveal that seemingly seamless reality to be nested inside another, larger reality. It's not just that Sean Young is preternaturally beautiful. It's that the way we've known her, as Rachel Rosen; I mean we know the movie's not real, but we've read enough Phil Dick books to know that the movie does have a realness to it, as it exists consensually in our society's collective consciousness. So to see the curtain pulled back on that world - it doesn't exactly freak me out - but it does make these pictures entirely too difficult to stop looking at.

Also the polaroid pics look so cool and retro and yet they're pictures of this future setting and fashion, only as it was conceived of in the late 70s/early 80s. Oh, and the importance of photograph as memory (and voyeuristic tool) in Blade Runner. Oh man! Can't stop looking.

Also, Sean Young is a 2012er. Not that there's anything wrong with that.

Monday, November 1, 2010

Photo of the Day: Halloween Edition


Whoever these people are, they are cooler than me! Happy Halloween!

Thursday, January 7, 2010

YouTube Video Roundup

Here's a scene from 1995's Screamers... It was so long ago, I barely remember watching this movie, but I also remember making a promise to myself that I would never watch it again. I'm guessing that one guy is an android. You sort of have to admire the way they've transposed the climactic scene in Blade Runner into the key of crap... (I'm sure I'll get some hate mail from people who love this scene - don't bother).



Could the 2-3-74 delivery of the pain medication be the most common literary moment depicted on YouTube?



And finally, Philip K Dick, from Heaven...

Sunday, November 1, 2009

From Our WTF? Deparment

A student of mine recently ordered a copy of Do Androids Dream of Electric Sheep? for class online, and when it arrived he became suspicious, since the page numbers I was assigning didn't match up with the chapter breaks in the book. Turned out the student had mistakenly ordered a 'Oxford Bookworms' edition of the novel (pictured above). After some additional research, I discovered that the Oxford Bookworms Collection takes novels and abridges them both for length and to fit particular reading levels.

All fine and well, of course, (I guess) but Amazon does not make it clear that this is an abridged version, or that it differs in any way from Dick's novel. Bad enough, but then I started reading the Amazon reviews of this edition. It's almost like they'll let anybody write these reviews. Here's a paragraph that I think indicates serious damage has been done to the reviewer's corpus callosum:

"Unfortunately for Isidore, and Deckard too, it's beyond question that androids are in fact incapable of empathy, of identifying with others and comprehending their lives. They abandon each other in danger, torture animals out of curiosity, and sacrifice humans at the merest hint of trouble. (Of course, there are humans who do that, too, and there's something dangerously innocent about PKD's assumption that empathy is a universal human characteristic, but it's his book.) More to the point, although this lack of empathy makes the androids dangerous, it also makes Deckard's job all the more devastating to his conscience once he discovers that, as a human, he has feelings of empathy for the androids. Can he eliminate the android threat and still retain his own humanity?"

Wow, just wow. Of course the androids in the book repeatedly demonstrate the ability to empathize. Furthermore, Deckard is proof that many humans don't possess any ability to be empathetic, unless they are forced to acquire it, painfully, and with great suffering. 'Can he eliminate the android threat and still retain his own humanity?' Is that serious question? Because the answer is that nothing in his human nature demands that he not kill androids. Deckard's morality doesn't evolve out of necessity, or because it's a latent condition of his being, but out of struggle. Deckard's humanity is equally demonstrated in his desire to kill the andys, complete his assignment, and buy himself a nice animal as it is in his final realization that 'electric things have their lives too, paltry as those lives are.' Not only can't this reviewer affix his review to the proper edition of Do Androids Dream of Electric Sheep?, he also appears unable to process moral ambiguity.

At the end of the Bookworks edition there are some reading questions. Check these out (not liable for the desire to poke yourself in the brain with something sharp that these may elicit from you):

This novel has a mysterious title. What do you think it tells you about the story?

What do you remember most at the end - the fake toad or Iran's changed behavior towards Rick? What does that suggest?

Is there any hope at the end of the novel?

The film Blade Runner ends with Rick (who is divorced) and Rachel Rosen deciding to spend whatever is left of their lives together. Do you prefer that ending, or the one in the book?

Saturday, June 20, 2009

You Tube Video Roundup

It's a beautiful Saturday morning. Let's check out some You Tube videos.

First up, is a pair of videos that set PKD-interview footage to experimental music and video, with interesting results.






Then check out this video from Torley playing some keyboards over a mashup of the Blade Runner end credits and some rap.

Friday, June 5, 2009

Blade Runner Web-Based Prequels Announced


io9.com recently detailed plans underway by Ridley Scott and his brother to develop prequels for Scott's 1982 magnum opus Blade Runner. That sensation you're feeling is, I believe, cynical trepidation. But there's hope: YOU (riders of the Intertoobz) will have direct control over these webisodes, as you'll be voting on the plot points.

Some paid person at io9.com writes:

"Scott, along with his brother Tony and son Luke, are teaming up with the independent studio Ag8 to produce Purefold. Ag8 previously produced the British web series Where Are The Joneses?, which asked viewers to write and submit the further adventures of the title characters. Purefold will use a similarly interactive format, as it unfolds in five to ten minute shorts driven by reader input culled from the social aggregator site FriendFeed. Although the series will debut on the web, there is some hope it will ultimately make its way to television."

The article continues:

"The producers of Purefold don't have the rights to Philip K. Dick's original novel, Do Androids Dream Of Electric Sheep?, which provided the basis for Ridley Scott's film. As such, the series definitely won't be featuring any of Blade Runner's characters or specific situations, although I'm still holding out hope we'll finally get to see what's so damn unbelievable about attack ships on fire off the shoulder of Orion. Or C-beams glittering in the dark near the Tannhauser Gate, for that matter."

And, if you thought it couldn't get any stupider, here is the final straw....

"What Purefold definitely will have, however, is product placement, as RSA Films is bringing in a number of advertising and marketing agencies to help secure funding for the project. Considering what happened to companies that had their logos prominently featured in the original film, such as Bell, Pan Am, and Atari - they all went bust - I'm not sure if that's really a good idea."

Is there any way I could vote for this not to happen at all?

Wednesday, April 15, 2009

What To Get The Bounty Hunter That Has Everything

Rick Deckard's laser blaster, pistol zapper thingy is up for auction over at Profiles in History. For somewhere in the 6-figure range you can run around your apartment pretending to hunt vicious androids with a prop that was in a movie!

But damn if that gun doesn't steal one scene: you know the one where all you see is the gun against the wall as Deckard hunts Batty, and Batty says. "Come on Deckard, show me what you're made of." Good stuff.
From the auction site:

"(Warner Bros., 1982) Arguably one of the single most important weapons in Science Fiction history is the hero firing blaster used by Rick Deckard (Harrison Ford) to "retire" replicants in Ridley Scott's timeless Sci-Fi classic Blade Runner. While few rubber stunt guns have surfaced in the collector's market over the years, this particular Hero-blaster has been thought to have been lost for decades. Purchased by Hollywood Marketing specialist Jeff Walker, in a sale by the film's production company after filming had wrapped, this iconic piece has been in Walker's private collection for over 25 years. It was briefly displayed at a convention around the time of Blade Runner's 25th Anniversary and immediately caused a frenzy among Sci Fi fans, who had never thought to ever see the “holy grail” of Sci-Fi weapons in person.

Only one hero firing weapon was made for the production which was created by mating a Steyr-Mannlicher Model .222 SL receiver on to a Charter Arms .44 police bulldog double-action revolver. It features custom amber grips, dual triggers, and futuristic illuminating LEDs (four red and two green) that can be activated by a small switch mounted beneath the barrel.

Besides its cult-classic status and tremendous re-release success on its 25th Anniversary, Blade Runner is a leading example of the neo-noir genre and is regarded by its director as one of his most complete and personal films. It has been selected by the Library of Congress as being "culturally, historically or aesthetically significant". It is also ranked by the American Film Institute and Time Magazine as one of the “100 All-TIME best movies” and the popular British movie magazine Empire voted it the "Best Science Fiction Film Ever" in 2007. This blaster is most likely the most representative artifact for this important contribution to cinematic history."

Tuesday, April 7, 2009

Do Androids Dream of Electric Sheep? to Become a Comic Book Series

Boom Studios announced today that it plans to publish a 24-issue comic book adaptation of Do Androids Dream of Electric Sheep?. Remember, Dick's trust authorized an adaptation of "The Electric Ant" last year, and this looks like another pretty good move, hopefully exposing the novel to another set of fans. One thing that I like about the project is that they plan to a complete adaption, totally faithful to Dick's original, even using his original text.

I'm not a huge comic fan, but the illustrations look good, and my guess is, this won't hurt Dick's burgeoning literary reputation. This article over at MajorSpoilers.com quotes Dick's daughters Laura and Isa as saying:

“We are thrilled that DO ANDROIDS DREAM OF ELECTRIC SHEEP? is being adapted for this audience by such a talented team. We’ve been incredibly impressed with BOOM!’s ability to create such a faithful interpretation of the original work without sacrificing their own original instincts and artistic sensibilities,” said Laura Leslie and Isa Dick Hackett of Electric Shepherd Productions. “Through this medium, readers will now have visual access to parts of the novel not explored in the film adaptation BLADE RUNNER.”

Warren Ellis is set to provide "backmatter" for the novel to appear in the first issue. That's the only red flag. Ellis, who probably doesn't deserve the bashing I gave him in this post awhile ago, nevertheless rubs me the wrong way. Remember he wrote one of those old, backhanded-compliment "PKD was a brilliant nut-case" articles we all had to wade through when Dick had his literary coming out party with the release of his first volume from the Library of America.


Those covers look better than these:


Monday, March 23, 2009

Rare Blade Runner Script Drafts Unearthed


In an ironic twist of fate, today I'm actually writing about something someone posted on i09.com, specifically, this heavily-researched and annotated post dissecting Blade Runner's ending as it appears in several different versions of the script, including a new draft by Hampton Fancher recently unearthed (or manufactured) by Keebler nerds working deep underground.


First they present an excerpt from Fancher's July 24, 1980 draft:

"Roy Batty dies. (And instead of that awesome speech, his last line is, "Crap.") Deckard drags himself to his car and goes home to find Rachael. They get in Deckard's car and drive out to the countryside, while Deckard's voiceover talks about how they had a lovely day and he taught her a song about monkeys and elephants. And then Deckard takes her out in the snow and shoots her in the head. If he hadn't done it himself, they would have done it, his voice-over explains. But now Deckard can't go back to the city, and he's no longer sure what's really real. Maybe nothing is. He drives off. The end."

Then another excerpt from the December 22, 1980 draft:

It's the day after Deckard kills Batty, and he's in his apartment with Rachael. Bryant shows up at Deckard's apartment, and they talk on Deckard's vidphone. But Deckard won't let Bryant in. Deckard insists he's alone, but Bryant can tell Deckard is lying. Bryant warns Deckard that Gaff is ambitious. There are long pauses while Deckard tries to figure out what Bryant means, and then he gets it. Deckard finds Gaff staking out his apartment, and almost shoots Gaff. But Deckard says (in a voice-over!) that he's tired of pulling triggers. So instead Rachael and he sneak out and go out to the countryside. Rachael makes Deckard pull over because she's never seen snow before. They talk about Roy Batty, and how he made Deckard realize every moment is precious. Rachael says it's the happiest day of her life, then she begs Deckard to shoot her. He does. Then he drives off, realizing it's too late for him to get away. "They wouldn't give me papers for the Colonies even if I wanted them." He wonders who designs "the ones like me." As Deckard stares at the sky, he concludes his voiceover:

The great Tyrrell hadn't designed me, but whoever had, hadn't done so much better. 'You're programmed too,' she told me, and she was right. In my own modest way, I was a combat model. Roy Batty was my late brother.

The end.

Then, finally, they present an ending from the February 23, 1981 version:

Deckard and Rachael are in Deckard's apartment. He asks her if she loves him, and if she trusts him, and she says yes. He packs some stuff and they head for the elevator, but he sees a tiny unicorn made of tinfoil: "Gaff's gauntlet." Then Deckard drives through the woods at 160 miles per hour. Deckard and Rachael smile at each other, but a blip flashes on the vidscreen of Deckard's car. Deckard puts the tinfoil unicorn on the dash. Deckard's car zooms through the woods, and he gives us a last voice over:

I knew it on the roof that night. We were brothers, Roy Batty and I! Combat models of the highest order. We had fought in wars not yet dreamed of... in vast nightmares still unnamed. We were the new people... Roy and me and Rachael! We were made for this world. It was ours!

And then the camera pans up above the woods and we see Gaff's spinner, chasing them. The script says: "CREDITS ARE ROLLING, God help us all!" The end.

If you still think Deckard's not an android, perhaps you'd be interested in a bridge I have to sell you.

Sunday, October 19, 2008

Rare Blade Runner Production Shots

Some guy on myspace had all these cool covers posted on his page. It's interesting to glimpse the way the movie was marketed, not to mention how antiquated everything looks just 25 years later. As you probably guessed, I'm still quite busy, trying to grade papers and get a band going (Bay Area drummers please shoot me an email), so this is a just a quick post to tide you all over.


My students are reading Do Androids Dream of Electric Sheep? right now and I have been meaning to post something on the book, so stay tuned, hopefully in the next couple of days I will explain exactly why calling Deckard an android is an insult to androids.

Monday, August 25, 2008

New Aquisitions of Day

My wife works at the library, and occasionally people will donate books that are too old or in such bad shape that the library gives them away rather than shelving them. Look what I got:

Oooh, that's the 1976 Ballantine edition! Way cooler, but not as valuable probably as the 1964 first edition. So that was cool, but the best was yet to come:

Yep, that's the screenplay for Burrough's film Blade Runner, the source for the title of Scott's adaptation of Do Androids Dream of Electric Sheep?. I thought it was worth a lot of money... it isn't.

But here's part of the first paragraph which explains everything and nothing:

"Now B.J. you are asking me to tell you in one sentence what this film is about? I'm telling you it is too big for one sentence - even a life sentence. For starters it's about the National Health Insurance we don't got. It's about plain middle-class, middle-income-bracket Joe, the $15,000-a-year-boy, sweating out the two jobs, I.R.S. wringing the moonlight dollars out of him to keep the niggers and the spics on welfare and medicare so they can keep up the strength to mug his grandmother"...

OK, that's enough of that.